This is truly a little gem of a book.
The first thing that strikes me about this book is how well written it is. Morgan creates rich images with his sparse prose. He manages to sharing meaningful personal experiences (both his own and those of other witches) without sacrificing the mystery of this path. Morgan promises a synthesis of practical experience and scholarship, and judging by his footnotes I would say he delivers. It’s rare to find such a satisfying combination of learning and skill in the esoteric genre, so pardon me if I come off as a touch enthusiastic.
There is undeniably a lot of literature to wade through on this topic, and Morgan does an impressive job of summarizing it for a 201 or even 301 student. He seizes on a number of European cultures to illustrate his points, not just the standard witchcraft documents from the British Isles, but accounts from Italy and eastern Europe as well. Most importantly, he makes it relevant for the modern practitioner, detailing how various manifestations manifestations were dealt with historically and how we today as spirit workers can adapt these methods and attain similar experiences.
Oineric woodcut illustrations by Brett Morgan accompany each chapter, inviting the reader to dive more deeply into the many layers of the text. I’m admittedly a sucker for woodcuts, but these alternately fascinate and repulse–just like witchcraft itself.
Now, the following quibbles are really nitpicky things that my own copy-editor brain picked up on and just wouldn’t let go, and would probably not disturb the average reader. There are a few odd editing choices which detract from the overall flow of the book, especially the lack of chapter numbers within the text itself despite these being listed in the table of contents. The book has a gentle flow from historical evidence to modern accounts, but also might have benefited from some broader subject headings. Chapter 21 on, for instance, is really more of a practical grimoire than the previous historical and folkloric comparisons; this is somewhat indicated by the ToC, but is lacking in the text body itself. Still, these points do not really detract from the message and value of the book overall.
A neighbor of mine who is just beginning to explore the Pagan/Occult paths has been asking me for books to read. I started him out with Phillip Carr-Gomm’s What Do Druids Believe? When he returns it next week, A Deed Without a Name will surely be my next recommendation.
Morgan, Lee. 2013. A Deed Without a Name: Unearthing the Legacy of Traditional Witchcraft. Alresford, UK: John Hunt Publishing.
3 thoughts on “Review: A Deed Without a Name”
Table of Contents. Sorry, editor-speak. 😉
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Thank you! 😊